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Learn more about Ireland, its people. customs, culture and history. Here we feature Dublin — with its great sweep of coast, it is one of Europe's finest capitals. The city of Dublin has a wealth of attractions and is famous for its writers, poets and musicians.

 

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Phil Beck's WA Folk Scene

I ventured up to the Kalamunda Hotel the other night to experience the session that’s on there most Saturdays, I’d been told that it was a good night and that  turned out to be good info:

for a bloody good night it was indeed. Led mostly by Enda Condren and ably supported by a dozen or so musicians and singers it was a pleasure to sit around in a relaxed un- amplified room and just listen to everyone doing their thing. A folkie friend of mine from years ago, since the old Governor Broome days in fact (Kevin Bloody Saunders) is one of the regulars up there as well, which added to the enjoyment – well mine anyway.

As well as being a Kalamunda session veteran Kevin helps to run the (Kalamunda) Hills folk club and is also to be found at the Irish Club on Comhaltas Mondays. However I digress: the session itself started around 8.00 I think, I was still scoffing my pub grub at that stage so wasn’t taking too much notice: the food was excellent by the way and reasonably priced to boot, an unexpected bonus. The locals seemed to be a bit bemused by the music rather than really enjoying or understanding it. But on the other hand they seemed to enjoy the overall atmosphere and spirit of the thing and there was no heckling or anything of that ilk. Also the publican sent over a few pints now and again for the players and singers which is always a good sign, and another unexpected bonus. If you’ve not been up to the Kalamunda Hotel before or if you just like Irish music sessions then I’d recommend a trip up there one of these fine Saturdays: bring your voice and instrument along and join the craic.

I was wracking my brain trying to think of what to write next when I suddenly remembered (it completely slipped my mind til now, honest) that I’m playing at the Hills Folk Club on the 1st Friday in April and thought I might as well give myself a plug. So here it is: I’m playing at the Hills Folk Club on the first Friday in April: if you fancy a laugh get along and have a look: and there’s bound to be someone good on as well.

I mentioned the Hills folk club earlier in relation to my old pal Kevin Saunders: here’s the details. Falls Farm, Cagney Way, Lesmurdie. 1st Friday, 8 pm Pauline Tonkin- Saunders 9291 6026 for more info Don’t forget the Fairbridge Festival that’s nearly on us and there are some good acts on including Kieran Halpin, Rory McLeod and Danny Spooner: April 24th to 27th down at Fairbridge Village near Pinjarra. See the website for more info. www. fairbridgefestival.com.au

It’s getting late now and the deadline for these scribblings is long past and receding into the distance like the dot on an old TV, so I’m under pressure to call it a day here and press the ‘Send to Fred’ button. I also know that, as usual, I’ll remember loads more stuff I should have written about the second I’ve done it: oh well that’s show biz: maybe I’ll remember next time, in the meantime I’ve got to go and get some practice in for my gig in the Hills: see you there maybe.

Sleante, Phil Beck

Contact Fred for information

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KULCHA Events

History of the Bodhran

 by Ronan Nolan

__________

"The bodhran evolved in the mid-20th century from the tambourine, which can be heard on some Irish music recordings dating back to the  1920s and viewed in a pre- Famine painting. However, in remote parts of the south-west, the “poor man’s tambourine” - made from farm implements and minus the cymbols - was in popular use among mummers, or wren boys.

 Sean O Riada was one of the first to stick his neck out, brazenly describing the bodhran as our native drum, adding his view that its history goes back to pre-Christian times. Others, while not denying that it could have had an ancient role, take the  view that its introduction as a musical instrument is a more recent phenomenon.

There are many theories:

 * That the drum originated in Africa and came to Ireland by way of Spain.

* That it originated in Central Asia and was brought to Ireland by Celtic migrants.

* That it originated in rural Ireland and evolved from a work implement to its present musical status.

* That it was devised by cunning Kerry farmers to
push up the price of goatskin.

What we do know for sure is that drums are generally circular and, until recent times, tended to be covered with animal skin. And that their emergence in various cultures at different times need not be related events.

Given our history, the drum would have had a role in Irish warfare. We know that up to a couple of centuries ago, Gaelic chieftains had their own march tunes. But given the destructible nature of wood and animal skin, it is not surprising that none have survived from early Gaelic times.

Source: www.iol.ie/~ronolan/
index.html

 
 

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